{"version":"1.0","provider_name":"ARTCOLLIDER WEBZINE : \uc544\ud2b8 \ucf5c\ub77c\uc774\ub354 \uc6f9\uc9c4 by \bK-Arts","provider_url":"https:\/\/webzine.artcollider.kr\/en\/","title":"Principles and Current Practices for Ensuring Audience Accessibility - ARTCOLLIDER WEBZINE : \uc544\ud2b8 \ucf5c\ub77c\uc774\ub354 \uc6f9\uc9c4 by \bK-Arts","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QiEOyDfboI\"><a href=\"https:\/\/webzine.artcollider.kr\/en\/audience-accessibility\/\">Principles and Current Practices for Ensuring Audience Accessibility<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/webzine.artcollider.kr\/en\/audience-accessibility\/embed\/#?secret=QiEOyDfboI\" width=\"600\" height=\"338\" title=\"&#8220;Principles and Current Practices for Ensuring Audience Accessibility&#8221; &#8212; ARTCOLLIDER WEBZINE : \uc544\ud2b8 \ucf5c\ub77c\uc774\ub354 \uc6f9\uc9c4 by \bK-Arts\" data-secret=\"QiEOyDfboI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/webzine.artcollider.kr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/webzine.artcollider.kr\/wp-content\/uploads\/2025\/02\/theatre-4672432_1280.webp","thumbnail_width":1200,"thumbnail_height":800,"description":"Over the past few years, in Korea, both audiences and theater producers have shown increasing interest in barrier-free accessibility in theaters. As a result, there is a growing awareness that the current theater environment lacks the capacity to fully accommodate audiences with diverse identities. In response to these concerns, the fifth session of Open Access School is designed as a platform to hear from experts who are actively planning and implementing strategies to enhance audience accessibility in the performing arts. This session will provide insights into the current state of accessibility efforts and the challenges faced in the field."}