{"version":"1.0","provider_name":"ARTCOLLIDER WEBZINE : \uc544\ud2b8 \ucf5c\ub77c\uc774\ub354 \uc6f9\uc9c4 by \bK-Arts","provider_url":"https:\/\/webzine.artcollider.kr\/en\/","title":"\"Even in New Orleans, Farming is Tough\"\u2014How Was \u2018Nongbuga\u2019 Reinterpreted Through Jazz? - ARTCOLLIDER WEBZINE : \uc544\ud2b8 \ucf5c\ub77c\uc774\ub354 \uc6f9\uc9c4 by \bK-Arts","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JMSM5gY9A9\"><a href=\"https:\/\/webzine.artcollider.kr\/en\/collaboration-performance\/\">&#8220;Even in New Orleans, Farming is Tough&#8221;\u2014How Was \u2018Nongbuga\u2019 Reinterpreted Through Jazz?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/webzine.artcollider.kr\/en\/collaboration-performance\/embed\/#?secret=JMSM5gY9A9\" width=\"600\" height=\"338\" title=\"&#8220;&#8220;Even in New Orleans, Farming is Tough&#8221;\u2014How Was \u2018Nongbuga\u2019 Reinterpreted Through Jazz?&#8221; &#8212; ARTCOLLIDER WEBZINE : \uc544\ud2b8 \ucf5c\ub77c\uc774\ub354 \uc6f9\uc9c4 by \bK-Arts\" data-secret=\"JMSM5gY9A9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/webzine.artcollider.kr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/webzine.artcollider.kr\/wp-content\/uploads\/2025\/01\/\uc2a4\ud06c\ub9b0\uc0f7-2025-02-14-\uc624\ud6c4-2.14.55.png","thumbnail_width":1280,"thumbnail_height":924,"description":"\u2018The Improvised Music and Lion Dance Workshop\u2019, held last year at Korea National University of Arts (K-Arts), was the essence of musical fusion. Featuring two renowned Jazz musicians\u2014saxophonist Yannick Rieu and drummer Philippe Soirat, both of whom performed at the 21st Jarasum Jazz Festival\u2014the event was a rare collaboration between jazz and Korea\u2019s traditional performing arts. The program\u2019s lead, Professor In-Soo Park of K-Arts\u2019 School of Traditional Arts, described the experience as \"a new form of artistic expression in itself.\" He added, \"Despite originating from entirely different traditions, these two genres found common ground through their intrinsic values\u2014individuality and improvisation.\u201c"}