{"id":2589,"date":"2025-02-14T15:15:06","date_gmt":"2025-02-14T06:15:06","guid":{"rendered":"https:\/\/webzine.artcollider.kr\/for-your-performance-carnegie-hall-sounds-right\/"},"modified":"2026-04-22T09:00:28","modified_gmt":"2026-04-22T00:00:28","slug":"interview-seong-ouk-kim","status":"publish","type":"post","link":"https:\/\/webzine.artcollider.kr\/en\/interview-seong-ouk-kim\/","title":{"rendered":"\u201cFor a Performance Like Yours\u2026 Carnegie Hall Would Do.\u201d"},"content":{"rendered":"\t\t
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[People]introduces the future direction of art education that the Art Collider Lab (hereinafter referred to as AC Lab) of the Convergence Arts Center seeks and aims to pursue through people who have worked with AC Lab. <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cIn the world of virtual production, this is the most advanced technology right now. Even Hollywood has only been using it for about five years.\u201d<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Seong-Ouk Kim(44), CEO of Native, speaks with an infectious enthusiasm\u2014like a child introducing his favorite new toy. He\u2019s talking about Virtual Production(VP), a cutting-edge film making technique that seamlessly integrates the digital and real worlds in real time using massive LED walls. While it has already made waves in the film, drama, and advertising industries, its potential for artistic expression is only beginning to unfold.

For Kim, VP is more than just an exciting new technology\u2014it\u2019s his passion. Though he has worked across a vast spectrum of visual media, from 2D animation and computer graphics to media art, VP captivated him so much that he founded a company specializing in In-Camera Visual Effects(ICVFX) for virtual production. What excites him most about VP is its limitless expandability\u2014it can be applied across both commercial and pure artistic fields.

But how well does it truly merge with the arts? Last fall, the Virtual Production Studio Demo Day at Korea National University of Arts(K-Arts) served as a testing ground to explore its potential. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Seong-Ouk Kim, CEO of Native<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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| \u201cReimagining the Visible\u201d\u2014A Visual Innovator Mastering Media Technology<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Seong-Ouk Kim is an expert in all things visible. He completed both his undergraduate and master\u2019s degrees at K-Arts\u2019 School of Film, and over the years, he honed his craft across computer graphics, media art, and television advertising. His portfolio spans a wide range\u2014from national event visuals for the Yeosu Expo and PyeongChang Olympics to commercial projects for Samsung Electronics, SK Telecom, and Hyundai Motors. Even in the film and drama industry, his influence is significant. He played a key role in The NSN Company, a studio involved in producing \u2018Parasite\u2019, the internationally acclaimed film. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cI have this urge to try everything that looks fun. Maybe that\u2019s why I\u2019ve changed
jobs so many times,\u201d he laughs. \u201cTechnology and techniques in visual production keep evolving, so I could never stay in one place for too long.\u201d<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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His nomadic pursuit of new technologies finally led him to Virtual Production. \u201cIt\u2019s not the best technology in the world\u2014it\u2019s the best technology for me,\u201d Kim explains. VP integrates all of the expertise he has accumulated\u2014hardware and software knowledge, CG compositing, projection mapping\u2014into a single, cutting-edge field. The sheer novelty of the technology also piqued his adventurous spirit. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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As he delved deeper into VP, an unexpected opportunity arose\u2014education. His decade of technical experience naturally led him to teaching, and he has now spent five years mentoring students at universities. His connection with K-Arts remains particularly strong; in addition to lecturing, he has been involved in various film production projects at the school and has played a key advisory role in K-Arts\u2019 digital transformation project. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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One of the most significant projects he advised on is \u2018The Virtual Production Studio\u2019, established on campus last year. His expertise aligned perfectly with the mission of Art Collider Lab, which aims to build creative spaces that foster the convergence of art, technology, and society. By providing hands-on experiences with VP, the lab seeks to inspire young artists and cultivate interest in art-tech fusion.

\u201cVirtual Production is still a relatively new technology, even within the industry\u2014there aren\u2019t many experts yet,\u201d Kim emphasizes. \u201cOur goal is to ensure that the most cutting-edge technology fuels the most cutting-edge arts education.\u201d <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A virtual production studio set up in K-Arts <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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| Your Art\u2014Now at the Opera House or Broadway<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Virtual Production Studio Demo Day, organized by Art Collider Lab in collaboration with K-Arts\u2019 School of Film, marked the beginning of Kim\u2019s vision for VP\u2019s role in arts education. Rather than focusing on theory, the event was designed as an immersive experience\u2014allowing students to feel the creative possibilities of the technology firsthand. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cK-Arts\u2019 School of Film has already been offering Virtual Production courses since early last year. Students engage in both theoretical study and practical production work. But I wanted to introduce this technology to students from other disciplines as well\u2014like theater, music, and traditional arts\u2014because VP has tremendous potential in those fields. That\u2019s why we organized this three-day Demo Day\u2014to showcase and spark curiosity.\u201d<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In reality, Virtual Production can be quite intimidating. As one of the most advanced visual technologies available, it demands a high level of expertise. However, simply using the technology does not require the same level of technical mastery.

\u201cThe real mission of Demo Day was to help students walk away thinking, \u2018Maybe I could do something with this,\u2019\u201d Kim explains. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The true magic of Virtual Production lies in creating the illusion of reality. The digital backdrops displayed on LED walls feel authentic when combined with skilled cinematography and performance. This eliminates limitations of time and space\u2014K-Arts students, for instance, could perform a Chuyongmu dance at King Sejong\u2019s coronation or act as Hamlet in a Danish palace.

VP is particularly valuable for independent productions, where budget constraints often limit creative possibilities. Unlike green-screen compositing, VP allows performers to interact naturally with the environment, enhancing immersion. Kim points out, \u201cArtists often need profile videos, teaser clips, or promotional materials for their work. Being free from spatial limitations can be a game-changer for them.\u201d <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Virtual production enables time- and space-free representation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Fifteen students participated in Demo Day\u2014most from the School of Film, but a handful of curious students from other disciplines joined as well. Their motivations varied. \u201cSome had ambitious plans to shoot their next film with VP, while others just found it fascinating,\u201d Kim recalls.

Regardless of their approach, every student\u2019s experience was meaningful. After all, the Virtual Production Studio was designed as a playground where K-Arts\u2019 young artists could explore and experiment freely. Demo Day was just the first step\u2014this year, the studio will begin its pilot program, expanding opportunities for students to engage with VP. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cYou can\u2019t expect instant mastery,\u201d Kim admits. \u201cRight now, the focus is on icebreaking\u2014introducing the technology and making students eager to learn more. Recently, Professor Kyeong-Hwa Yu from the School of Traditional Arts shot a promotional performance video in the VP studio. If faculty members experience its impact firsthand, students will naturally follow.\u201d<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Professor Kyeong-Hwa Yu is filming a performance at the virtual production studio<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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| Artists Should Always Seek Differentiation<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kim\u2019s relationship with K-Arts is special. It\u2019s a place where he developed his skills, built his career, and is now giving back by shaping its future. Over the past 20 years, his artistic philosophy has solidified: Freedom from rigid disciplines. Constant exploration. The pursuit of uniqueness. He believes that the desire to differentiate oneself is the driving force behind artistic creation. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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That\u2019s why Kim is so passionate about Virtual Production. Despite being a complex
and highly technical field, it offers endless possibilities for interdisciplinary collaboration. VP is not just a tool for commercial industries like film, drama, and advertising\u2014it has the potential to redefine artistic expression. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cI\u2019ve always been interested in other disciplines, even when I was a student. I watched countless performances\u2014dance, classical music, traditional Korean arts. I even held my own art exhibitions. Those experiences naturally led me to collaborate across fields. When I encountered VP, I immediately thought of the arts. It has just as much\u2014if not more\u2014potential in the arts as it does in film and advertising.\u201d<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Kim(left) highly values the artistic use of virtual production.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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From leading VP courses at K-Arts and helping establish the school\u2019s first VP studio to hosting Demo Day, every step he has taken reflects a singular goal: To help young artists shed their apprehension toward emerging technologies\u2014and empower them to express themselves without limits. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cDiversity and differentiation\u2014these are essential in art. It\u2019s not enough to simply be different\u2014you must be radically different. Imagine being given the Sydney Opera House for your performance. Wouldn\u2019t you aim for something wildly different from what you\u2019d do in a tiny underground studio?\u201d Kim grins.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\/ written by TJ <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Seong-Ouk Kim<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CEO of Native<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Related Videos<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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What excites him most about VP is its limitless expandability\u2014it can be applied across both commercial and pure artistic fields. But how well does it truly merge with the arts? 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