{"id":2599,"date":"2025-02-21T11:50:27","date_gmt":"2025-02-21T02:50:27","guid":{"rendered":"https:\/\/webzine.artcollider.kr\/our-artistic-inspiration-is-you\/"},"modified":"2026-05-13T20:15:27","modified_gmt":"2026-05-13T11:15:27","slug":"our-artistic-inspiration-is-you","status":"publish","type":"post","link":"https:\/\/webzine.artcollider.kr\/en\/our-artistic-inspiration-is-you\/","title":{"rendered":"\u201cOur Artistic Inspiration… Is You.\u201d"},"content":{"rendered":"\t\t
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[People]introduces the future direction of art education that the Art Collider Lab (hereinafter referred to as AC Lab) of the Convergence Arts Center seeks and aims to pursue through people who have worked with AC Lab. <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cThey could have just walked past, but instead, they instinctively stepped in and started engaging with it. Watching them participate so naturally, I thought, \u2018Ah, this is it.’\u201d<\/em>

On November 11 last year, visitors to the Lee O Yung Arts Theater at Korea National University of Arts(K-Arts) were greeted by an unusual sight\u2014a poster that was anything but ordinary. It reacted instantly to even the slightest touch, bursting into dynamic visuals, drawing curious onlookers into an unexpected interaction. The area outside the theater quickly turned into a lively hub.

This wasn\u2019t just a poster; it was a work of art. In-Young Kim and Tae-Yang Yoo developed \u2018Bloom Boom Bash!\u2019 as part of Interactive Media Wall Creation Project supported by Art Collider Lab at K-Arts. “It was an attempt to create a new artistic experience that would open up a space for dialogue,” explains artist In-Young Kim(26). Kim was one of four artists who set out to push the boundaries of artistic interaction. Alongside Tae-Yang Yoo(30), he transformed the theater into a stage for interactive engagement, while Kwang-Hyun Lee(30) and Min-Jae Lim(30) took over the campus library with their experimental XR performance piece, TRPG:TRPG. Their goal? To disrupt the quiet, contemplative atmosphere and invite audiences into a participatory artistic experience. What drove these emerging artists to embed their work with audience interaction? Through this interview, we dive into their inspirations and creative processes. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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From left artist Tae-Yang Yoo, In-Young Kim, Min-Jae Lim, Kwang-Hyun Lee <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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[Chapter .1] Curious About People, These Artists Found Their Way to XR<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2014First, tell us about yourselves and the kind of art you create. <\/strong>

Min-Jae Lim: “I recently completed my second year of master\u2019s program in Multimedia Film at K-Arts. My focus is on technology-driven art, but what truly fascinates me is people\u2014the way they think and react. That\u2019s why I specialize in interactive art.”<\/em>

In-Young Kim: “My primary field is interaction design, and I\u2019m currently pursuing my master\u2019s in Interaction Design at K-Arts. My background in psychology helps me incorporate affordance-based design principles into my work.\u201c<\/em>

Kwang-Hyun Lee: “I studied arts management and later shifted to theater. I wanted to create performances that engage audiences more intimately, which eventually led me to Extended Reality (XR). I even worked at a VR company, where I developed immersive theater experiences in virtual reality.”<\/em>

Tae-Yang Yoo: “I work as an XR and interactive developer. My undergraduate studies focused on traditional arts theory, but I\u2019ve always been passionate about computers and early adoption of technology. My interest naturally evolved into XR. Interactive art, in particular, aligns well with my analytical approach\u2014formulating hypotheses and refining outcomes through experimentation.\u201d<\/em>

\u2014Despite working in a highly futuristic field, you all have strong backgrounds in the humanities. That\u2019s intriguing.<\/strong>

Min-Jae Lim: \u201cI majored in business during my undergraduate studies, but when you think about it, both business and art raise similar questions. People often think of business as being all about making money, but at its core, it\u2019s about understanding human desires and relationships. In art, this translates into exploring audience interaction.\u201d<\/em>

Tae-Yang Yoo: \u201cI completely agree. My original field of study was philosophy. While philosophy was definitely fascinating, I always had the question, \u2018How can I do something with this?\u2019 Interactive art became my answer to that question.\u201d <\/em>

In-Young Kim: “Interaction design and interactive art cannot exist without people. My curiosity about people is what led me to explore these fields through media technology.\u201c<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tae-Yang Yoo(center) is explaining the work to the audience<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2014You identify as XR artists. What exactly is XR art, and why did you choose this field? <\/strong>

Kwang-Hyun Lee: “By now, most people are familiar with Virtual Reality(VR) and Augmented Reality(AR). Extended Reality(XR) is an umbrella term that encompasses both. It expands the boundary between the real and virtual worlds. Let\u2019s take the theater piece \u2018Find Willy\u2019 as an example. The central theme is teleportation. In traditional theater, teleportation is difficult to portray. In film, it\u2019s just a visual effect that doesn\u2019t involve the audience. But with XR, audiences can actively participate in the teleportation process, making the experience far more engaging.\u201c <\/em>

Min-Jae Lim: “I believe great art should bring audiences closer. XR ensures that the audience is never distant\u2014it places them in the first-person perspective, fully immersed in the experience. The ending, too, is determined by their choices. As someone fascinated by human behavior, this excites me.”<\/em>

Tae-Yang Yoo: “What drew me to XR was the lack of a predefined \u2018right answer\u2019. Traditional arts follow structured, mentor-apprentice models where the \u2018correct\u2019 way is already established. XR, on the other hand, is an unexplored frontier. It\u2019s still evolving, which means endless opportunities for creators.\u201c<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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[Chapter .2] Art Collider Lab\u2014A Creative Zero-Gravity Zone <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2014 Your recent exhibition was the culmination of K-Arts\u2019 Interactive Media Wall Creation Project, organized by Art Collider Lab. How did you get involved? <\/strong>

Tae-Yang Yoo: “I\u2019ve been connected to Art Collider Lab since 2018. Back then, new technologies and software were emerging rapidly, but K-Arts didn\u2019t offer many opportunities to learn them. The lab became the only space where I could explore. It played a crucial role in shaping who I am today.” (laughs)<\/em>

Min-Jae Lim: “I had prior experience with the lab, and every project I participated in left a lasting impact. What stood out was the people. The interdisciplinary art scene often lacks good collaborators and effective communication. But Art Collider Lab fosters an environment where the process matters more than the results, making it an ideal space for open experimentation.”<\/em>

In-Young Kim: “Design can be an isolating field, and failure feels like a heavy burden. But at the lab, that burden is shared. You\u2019re surrounded by like-minded people, and there\u2019s an ecosystem of support for brainstorming and feedback.”<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In-Young Kim(photo) explained, “Art Collider Lab is an optimized environment for collaboration”<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2014Art Collider Lab is a research institution pioneering the future of education at K-Arts, challenging the limitations of traditional teaching methods. How does it differ from conventional education? <\/strong>

Kwang-Hyun Lee: “What struck me the most was how the lab doesn\u2019t fixate on results. That was the biggest difference from conventional education. Because the lab fosters that kind of environment, artists participating in its projects naturally tap into their hidden drive for experimentation. Without the pressure of results or fear of failure, we feel free to try anything.”<\/em>

Tae-Yang Yoo: \u201cExactly. Most arts funding programs tend to predefine the outcomes they expect, and this framework can end up restricting an artist\u2019s creativity. Art Collider Lab, on the other hand, is far more open-ended. To put it bluntly, even \u2018failing miserably\u2019 is considered a valuable experience\u2014it\u2019s encouraged and supported. Without the pressure of producing a polished final product, we can freely experiment with various technologies. We can also discuss challenges with artists who have \u2018failed\u2019 countless times before and find practical solutions. Personally, I feel like this process has helped me level up tremendously.\u201d<\/em>

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In-Young Kim: \u201cFor me, what stands out the most is the power of collaboration. It\u2019s hard to describe, but there\u2019s this shared spark\u2014people here have similar needs and curiosities, which makes it easier to exchange ideas. It reduces the risk of getting stuck in your own head and allows peer learning to happen naturally.\u201d <\/em>

Tae-Yang Yoo: “I completely agree. Since my background was in traditional arts, I was used to a master-apprentice education model. But at Art Collider Lab, I discovered what peer learning really means\u2014and I experienced firsthand just how powerful it is.\u201c<\/em>

Min-Jae Lim: \u201cThe lab fosters seamless communication, which is essential for interdisciplinary work. Personally, I sometimes struggle to communicate with developers. If I can\u2019t fully understand a concept myself, how can I convince someone else? This leads to a lot of stagnation. But the people at Art Collider Lab are different. They actively think about how to make technical concepts and jargon understandable. Only people who genuinely care about communication remain in this space\u2014it\u2019s a unique environment.\u201d<\/em>

Kwang-Hyun Lee: “Absolutely. More than anything, the lab itself has a strong understanding of what it\u2019s doing. When working with external arts funding programs, I\u2019ve often noticed that the organizers don\u2019t really grasp the artistic or technological context. It sometimes feels like they\u2019re just chasing trends. And once the project is funded, the organizers often step back, leaving the artists to figure things out alone. But at Art Collider Lab, they truly understand the technological landscape. That\u2019s why the way they co-develop projects with artists is fundamentally different.”<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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[Chapter .3] Our Art is Completed by the Audience\u2019s Hands<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2014Tell us about the works you created for the showcase. <\/strong>

Tae-Yang Yoo: \u201cWe were assigned the theater as our exhibition space, and we immediately thought about its history. Over the years, countless performances had been staged there, each leaving behind posters. That became our inspiration\u2014giving abandoned posters new life. That\u2019s how Bloom Boom Bash! was born. The idea was to revive forgotten performances and turn them into a new performance.\u201d<\/em>

In-Young Kim: \u201cAt first, we considered taking a more artist-driven approach. But since interactive art is still a relatively new concept, we didn\u2019t want to make it overly complex or alienating. We focused on making it engaging and accessible.\u201d<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The interactive media system “Bloom Boom Bash!” by In-Young Kim, Tae-Yang Yoo<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tae-Yang Yoo: \u201cThe posters are displayed in a row, but when someone approaches, they each respond individually. Depending on the participant\u2019s movements, the visuals might shatter into fragments or suddenly scatter away. Visitors can freely interact with the wall, play around with it, and even take photos. You could think of it as an interactive media wall designed for engagement.\u201d <\/em>

Kwang-Hyun Lee: \u201cOur piece, TRPG:TRPG, is an XR performance that incorporates strong game-like elements. The audience plays a role in determining how a new civilization takes shape on another planet.\u201d<\/em>

Min-Jae Lim: \u201cEight participants form teams and choose themes like ecology, engineering, society, or architecture. The game\u2019s outcome shapes the future of that world. In a way, it\u2019s a social experiment.\u201d<\/em>

Kwang-Hyun Lee: \u201cIn reality, interactive media art has a lot in common with games. It\u2019s about participation, experience, and enjoyment\u2014just like a game. When I first heard our exhibition would take place in a library, my first thought was, \u2018Let\u2019s make the library as noisy as possible.\u2019 It was our way of playfully \u2018hacking\u2019 the space\u2014legally, of course.\u201d<\/em>

Min-Jae Lim: \u201cA new planet, a new universe\u2014these concepts tap into fundamental human desires. Ultimately, our piece is a game about exploring those desires. And doesn\u2019t that concept fit surprisingly well within a library?\u201d(laughs) <\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The audience participating in “TRPG:TRPG\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2014Since interactive art relies on audience participation, their reactions must have been especially intriguing. <\/strong>

In-Young Kim: “Because theaters attract such a diverse range of people, I was actually quite nervous. But as soon as we set it up, people started engaging with it instinctively\u2014without hesitation. Watching them participate so naturally, I felt a huge sense of relief, thinking, \u2018At least in terms of UX, this is a massive success.\u2019”<\/em>

Kwang-Hyun Lee: “For me, XR art is often more interesting when I\u2019m watching the audience rather than the artwork itself. Unlike traditional art forms, the audience doesn\u2019t always follow the creator\u2019s intended path. There\u2019s an element of unpredictability that makes it exciting. This time was no exception\u2014I was constantly reminded of that.”<\/em>

Min-Jae Lim: “From the beginning, we deliberately left plenty of space for audience participation. In fact, observing how people reacted to it was one of our core objectives. Watching them navigate within the framework we had set\u2014negotiating, debating, and shaping their own narratives\u2014I thought to myself, \u2018Ah, this is what it means to create art with the audience.\u2019”<\/em>

Kwang-Hyun Lee: “I completely agree\u2014the audience completes the artwork. We actually ran our performance in two separate sessions, and based on audience reactions from the first, we made major adjustments to the second. Their participation directly influenced how the piece evolved.” <\/em> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Kwang-Hyun Lee(behind) explaining to the audience the work of TRPG:TRPG<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2014What did you learn from the experience?<\/strong>

Min-Jae Lim: “This project was a massive challenge\u2014we built an entire universe from scratch. It reinforced the importance of the process rather than obsessing over the end result.”<\/em>

Tae-Yang Yoo: “Every Art Collider Lab project has accelerated my growth. They create an environment where failure is allowed\u2014and even encouraged. This freedom helped me confront why failures happen and turn them into learning experiences.”<\/em>

In-Young Kim: “More than anything, I gained great collaborators. This project reminded me that at the core of interdisciplinary arts is the fusion of people.”<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\/ written by TJ <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In-Young Kim<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Artist<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Kim was one of four artists who set out to push the boundaries of artistic interaction. Alongside Tae-Yang Yoo(30), he transformed the theater into a stage for interactive engagement, while Kwang-Hyun Lee(30) and Min-Jae Lim(30) took over the campus library with their experimental XR performance piece, TRPG:TRPG. What drove these emerging artists to embed their work with audience interaction? <\/p>\n","protected":false},"author":2,"featured_media":2407,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[101],"tags":[386,380,384,383,382,381,379,385,374,367,369,365,335,235,244,245,272,102,239,273],"class_list":["post-2599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-people-en","tag-min-jae-lim","tag-creative-projects","tag-kwang-hyun-lee","tag-tae-yang-yoo","tag-media-systems","tag-xr-performance","tag-media-wall","tag-in-young-kim","tag-infinite","tag-try","tag-technology-en","tag-new-technologies","tag-technology","tag-2024-en","tag-convergence","tag-convergence-art","tag-creativity-en","tag-experience","tag-future-education","tag-possibility"],"acf":[],"yoast_head":"\n\u201cOur Artistic Inspiration... 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